So, after the excesses of Dublin I’m back in the White Chair of Creativity (as Rachel calls it) with pictures of my new hero pinned up all over the place. I’m liking him lots—and not just because I saw him in the (extremely lovely) flesh last week and he smiled at me, though I’m sure that this can only make the writing flow more easily. I first fell in love with Henry Cavill in Tristan and Isolde, when he looked dark, dangerous and delicious—as well as excitingly dirty...
But now I've seen how he looks when he’s scrubbed up I'm even more smitten...
So far, so gorgeous-- I’m feeling totally positive about the new book and the new man. It’s the new routine I’m less happy about.
I’m not a big fan of change. In fact, it’s pretty true to say that I embrace change with about the same level of enthusiasm with which I’d hug a man-eating shark, but sometimes you just have to take a deep breath and do these things. (Fortunately so far I’ve never been in a situation where physical contact with sharks is necessary... obviously.) My latest deadline nightmare of sixteen hour days (which coincided with the children being off for half term) punctuated by regular heart palpitations and adrenaline rushes and fuelled by a diet of sugar and caffeine convinced me that something has to change in the way I handle this writing life. So, with the summer holidays yawning like a vast chasm between here and the next deadline I’m following the advice of the brilliant (and endlessly kind) Michelle Styles and planning to stick to a slow and steady thousand words a day. I have this dreadful kind of guilt thing that says that because I’m a working writer I have to spend every available moment at my keyboard, and this has turned me into a miserable recluse who dives under the desk whenever the phone rings (If I hear it, that is. Mostly I have music on so loudly that this isn’t an issue.) I’ve come to the conclusion I need to work less, but more efficiently. And also go out for more coffee and boozy lunches with friends, and bake more fairy cakes with the children.
The theory sounds fabulous, doesn’t it? Now, let’s see if it works.
I’m not a big fan of change. In fact, it’s pretty true to say that I embrace change with about the same level of enthusiasm with which I’d hug a man-eating shark, but sometimes you just have to take a deep breath and do these things. (Fortunately so far I’ve never been in a situation where physical contact with sharks is necessary... obviously.) My latest deadline nightmare of sixteen hour days (which coincided with the children being off for half term) punctuated by regular heart palpitations and adrenaline rushes and fuelled by a diet of sugar and caffeine convinced me that something has to change in the way I handle this writing life. So, with the summer holidays yawning like a vast chasm between here and the next deadline I’m following the advice of the brilliant (and endlessly kind) Michelle Styles and planning to stick to a slow and steady thousand words a day. I have this dreadful kind of guilt thing that says that because I’m a working writer I have to spend every available moment at my keyboard, and this has turned me into a miserable recluse who dives under the desk whenever the phone rings (If I hear it, that is. Mostly I have music on so loudly that this isn’t an issue.) I’ve come to the conclusion I need to work less, but more efficiently. And also go out for more coffee and boozy lunches with friends, and bake more fairy cakes with the children.
The theory sounds fabulous, doesn’t it? Now, let’s see if it works.
